Here’s a time it actually made sense to start over with a new issue #1. When writer Ed Brubaker and artist Darwyn Cooke (both incredible talents) took over Catwoman, they injected a mature tone into the book and set Selina Kyle on a fresh course.
She’s been presumed dead for the past six months, so now it’s time to figure out what to do with her life. She laments how self-serving she had become, but she’s not quite sure what that makes her at present. As she observes Batman in action against the Riddler, she realizes how she doesn’t belong in his world of good against evil; her territory is “between right and wrong.”
Catwoman and Batman have a nice moment together on a rooftop, and the dialogue further sharpens their differences:
Batman: No matter what, I believe that deep down, you’re really a good person. Don’t you think so?
Catwoman: Sometimes…yeah, sometimes I do…but I think it’s just a lot more complicated than that.
(As a side note, it’s always nice when a Catwoman/Batman rooftop scene in a Catwoman #1 manages not to devolve into gratuitous sex to “shock” us or show off how “adult” it is. I try to stay positive here, but that poor decision in the New 52 series deserves the jab. So…sorry/not sorry. But as I said, Brubaker and Cooke bring a mature tone to this book.)
Catwoman, when handled properly, is a complex character. Her many shades of grey give her the potential to surpass Batman as a compelling protagonist. And this particular #1 kicks off the finest set of Catwoman comics I’ve ever read.
Writer: Ed Brubaker
Artist: Darwyn Cooke
Inker: Mike Allred
Publisher: DC Comics
How to Read It: back issues; Comixology; included in Catwoman vol. 1: Trail of the Catwoman (TPB)
Appropriate For: ages 14 and up