Superheroes and cynicism don’t mix

I watched the first three episodes of The Boys on Amazon Prime. While it looks like a high-quality TV show, I found it very off-putting. (That may be by design, to some extent.)

I’m not sure if I’ll watch any more, and I’m not reviewing it since I haven’t seen it all, but I think it’s worthwhile to examine why it repulsed me so quickly. If you enjoy the show, please keep enjoying it. In terms of writing, acting, directing, production values, etc., it seems to have all the ingredients of a compelling series. Its hard-R rating isn’t even the real dealbreaker.

The problem, for me, is more philosophical. The series’ pessimistic worldview is what ultimately prevents me from wanting to spend further time in this particular superhero universe, despite the numerous technical strengths of the show.

The Boys features a cynical take on superheroes. They’re all physically super, but (in what I watched) only one might actually be at all heroic. The vast majority are portrayed as self-serving, self-absorbed celebrities who are content to let a large corporation package them and tell them what to do.

They demonstrate no moral compass, no compassion, no altruism. This could work as part of a redemption arc, but it doesn’t look like the show is going in that direction. (I’d be happy to be wrong, though.)

I read, watch, and write superhero stories because they show people becoming something better.

This could be a character like Superman who always does the right thing because that’s how he was raised, or it could be a character like Spider-Man who has to work at it harder, and who screws up from time to time but usually figures out the right thing to do in the end. Even more violent characters like Wolverine can adhere to a strict code of honor.

The corporate-superhero aspect of The Boys reminds of an earlier corporate, for-profit superhero: Booster Gold. Booster had a short-lived DC Comics series in the late ’80s, and throughout it, he grew from a self-serving glory hound to a bona fide (but still very flawed) superhero.

That growth was key to my enjoyment of Booster Gold. Same goes for ’90s Marvel series The Thunderbolts. That book starred a group of supervillains pretending to be superheroes as part of a scheme, but some of these villains discovered that they actually liked being heroes, which created all sorts of drama and tension and gave the book its heart.

The Boys may indeed portray a “realistic” version of superheroes, but that’s precisely why I don’t want to watch any more of it. I want aspirational superheroes. I want to see how we can be better, not how we’d be worse.

But if I’m completely wrong about the show, please let me know!

Today’s Super Comic — Booster Gold #1 (2007)

booster-gold-1Booster Gold resembles the CW’s Legends of Tomorrow closer than any book I can think of. It’s a time-travel series in which Rip Hunter guides his carefully selected superhero through DC’s history so they can repair damage to the timeline.

But this series has something the television show has lacked so far—a compelling character hook.

Booster Gold has always been a superhero who craved celebrity status. He performed good deeds first for the glory, and later he grew into the role. But even Booster at his most mature and heroic still wants to be admired and appreciated. And that makes him perfect for this book’s premise.

In order to stealthily save the timestream, Rip informs him, Booster needs to “go down in history as an ineffectual and incompetent fraud when in reality [he’ll] be the greatest hero history has never known.”

So, for the sake of the world as we know it, an egotistical superhero needs to sacrifice not only his present-day reputation, but also his own historical record for all time. That is a fantastic premise, and a guest appearance by the Justice League shows us just how painful this is to Booster. But he tries to do the right thing anyway.

This is a wonderful example of teaming up the right story with the right character.

Writers: Geoff Johns and Jeff Katz

Penciler: Dan Jurgens

Inker: Norm Rapmund

Publisher: DC Comics

How to Read It: back issues; Comixology; included in Booster Gold vol. 1: 52 Pick-Up (TPB)

Appropriate For: ages 11 and up

Today’s Super Comic — The Adventures of Superman #476 (1991)

Adventures_of_Superman_476Early ‘90s Superman comics probably won’t go down as among the all-time greats, but they sure are reliably fun.

The Adventures of Superman #476 kicks off a time-traveling epic called “Time and Time Again.” Superman has just recently revealed his secret identity to Lois Lane (they’re engaged at this point), and as they’re adjusting to this new dynamic in their relationship, special guest star Booster Gold literally drops out of the sky. Time for both Supes and Lois to get to work.

In trying to help out his colleague, Superman winds up flung through time, and his first stop brings him to additional guest stars who are always nice to see.

Time-travel is a useful device for pulling Superman out of his usual element, and it allows him to embark on an archetypal “hero must find his way home” story, which generally is a bit harder to facilitate with a flying, super-fast protagonist.

A good time for Superman fans young and old.

Writer/Penciler: Dan Jurgens

Inker: Brett Breeding

Publisher: DC Comics

How to Read It: back issues; Comixology; included in Superman: Time and Time Again (TPB)

Appropriate For: ages 9 and up

Today’s Super Comic — Booster Gold #6 (1986)

Booster_Gold_6I’ve always had a soft spot for Booster Gold. And if you’re not a regular comic reader, you’re probably asking, “Booster who? What?”

Booster Gold debuted in the mid-80s, and creator/writer/artist Dan Jurgens immediately distinguished him from the rest of DC’s superhero lineup. While most superheroes save the day for altruistic reasons or to avenge loved ones, Booster is pretty much in it for his own glory at first. He wants to be rich, famous, and adored. His path to doing so just happens to be crimefighting, but he’s totally comfortable marketing his likeness as any popular athlete would.

Jurgens could easily have misfired with this. (Well, the series lasted all of two years, so perhaps it was a misfire anyway. But the character was a creative success, and Booster has continued to play a role in the DC Universe ever since.) Booster could have come across as overly selfish and unlikeable—and at times he absolutely does—but beneath all the product endorsements and preoccupation with image, he’s a guy who truly wants to be the best superhero he can be.

As we learn in #6, his origin issue, Booster’s past is not one to be proud of. He starts from a very low point, and he’s determined to become something better.

To drive home just how un-heroic Booster initially appears, the big man himself, Superman, shows up and heaps considerable judgment upon the titular showboat. The two make for excellent foils.

Some heroes are born great, and others have to work hard at it. The latter is often the more interesting approach, and that’s what makes Booster Gold a somewhat hidden gem among DC’s cast.

Writer/Penciler: Dan Jurgens

Inker: Mike De Carlo

Publisher: DC Comics

How to Read It: back issues; Comixology

Appropriate For: ages 10 and up