Today’s Super Comic — Starman #4 (1995)

starman_vol_2_4Jack Knight has agreed to serve as Starman on an as-needed basis, but he’s really kind of hoping the need never arises. For now, he’s just trying to rebuild his collectibles store…but he learns that, as his father says, when you’re a superhero, “the weirdness finds you. Like it or not.”

Issue #4 shows us a single weird night for Jack as he’s working to restore a sense of normalcy. He receives an unexpected visit from the immortal Shade, a former villain who now just wants Opal City to remain a tranquil place. And an old rich guy sends a henchman to find a particular magic shirt that has wound up on Jack’s collection, and to retrieve it by any means necessary.

James Robinson’s writing is in top form here, as he continues to steer everything away from conventional black-and-white superheroics. With each issue, he reinvents the preexisting Shade into a character that might as well be his own creation, and one who operates under a unique morality that he’s developed throughout the course of his lengthy life. Also, Jack’s confrontation with the henchman reaches an amusing resolution that’s free of fisticuffs and perfectly in character for this new Starman.

The art by Tony Harris is equally engaging. Harris gives Opal City enough meticulous detail to make it feel like a place rather than a mere location name, and his splash panel of Shade’s entrance is memorable.

Fantastic stuff all around.

Writer: James Robinson

Artist: Tony Harris

Inker: Wade Von Grawbadger

Publisher: DC Comics

How to Read It: back issues; Comixology; included in Starman Omnibus vol. 1 (HC)

Appropriate For: ages 12 and up

Today’s Super Comic — Starman #0 (1994)

starman_v-2_0I found a bunch of Starman trades in a secondhand bookstore, which is rather appropriate, considering this particular iteration of the character. So I had to buy them, and now I’ve got yet another series I’m reading/rereading.

This is the Starman series by writer James Robinson and artist Tony Harris, which was highly acclaimed when it came out in the ‘90s. I bought the first two omnibus collections a while back and was impressed with them, and now I’ve got the later issues (still need to track down the middle ones, though).

The series starts with issue #0, as this was one of the new titles launched after DC’s Zero Hour crossover. I don’t remember any of those others, but Starman feels special right from the start. Robinson and Harris introduce us to a new fictional city, Opal City, and its new protector—David Knight, the older son of the original Starman (cue the David Bowie song).

With his father retired, David takes up the mantle. He’s the typical DC Comics legacy hero…until he’s assassinated right off the bat, setting events into motion that will force younger brother Jack to reluctantly assume the superheroic identity.

Jack has no interest in being Starman, and he even has some disdain for the concept. He’s a geek for antiques and collectibles, and he’s perfectly happy running a store full of them. But a hallmark of a great story is when the hero doesn’t get what he wants, but gets what he needs (cue the Rolling Stones).

Jack Knight will become a superhero, and he will carry on his father’s legacy. But as of this premiere issue, he’s not nearly there yet. And that’s a great start.

I’m looking forward to rereading these early issues and reading the later ones for the first time.

Writer: James Robinson

Artist: Tony Harris

Inker: Wade Von Grawbadger

Publisher: DC Comics

How to Read It: back issues; Comixology; included in Starman Omnibus vol. 1 (HC)

Appropriate For: ages 12 and up