The Internet likes a good list, doesn’t it? A nice comprehensive, frivolous ranking of a beloved something or other?
All right then. Let’s do this. Let’s rank every episode of modern Doctor Who from worst to best in four weekly installments: “I’m sorry. I’m so sorry,” “Are these good episodes?”, “These episodes are cool,” and “Fantastic!”
I tried not to agonize over the exact rankings, because I wanted to be done this century, so assume a margin of error of plus or minus a few. If I did this a year later, the order would likely turn out differently. It’s all just my opinion, and I respect that you’ll likely disagree. (I know—how dare I rank that episode that low and that episode that high?) This is just for fun, a way to reflect on what’s been a great science fiction series overall.
I love Doctor Who even though not every episode is a winner, and I appreciate how hard it is to write for television. Both showrunners, Russell T Davies and Steven Moffat, have given us brilliant episodes, and both have been guilty of failing to rein in their excesses. Nevertheless, the show remains great on the whole, and I’m thankful for the many wonderfully entertaining hours both writers and their teams have given us.
But none of us are perfect. So in this first part, let’s get the misfires out of the way:
“I’m Sorry. I’m So Sorry.”
The Doctor as you never wanted to see him.
#97 The Sound of Drums/The Last of the Time Lords: It would’ve been much higher if I hadn’t separated “Utopia” from this three-parter. But no. That wonderful first part doesn’t deserve to be saddled with this train wreck. Both Russell T Davies and Steven Moffat have been guilty of mythologizing the Doctor, which is the wrong approach, but RTD gives us the most egregious example here. Martha travels the world convincing people to Tinkerbell the Doctor back to health, which results in a Jesus-like resurrection. No, people. He’s a runaway from a race of haughty time-travelers, not a Christ figure. And the Master’s insanity could be subtler.
#96 Love & Monsters: It benefits from an ELO soundtrack. And pretty much nothing else as our guest protagonist stalks Rose’s mother and a needlessly icky alien kills some nice people. And that girl’s really okay living as a cement face? Continue reading